Lyric Notes Vol. 19
So what causes all the delays? Well, it's no one person or thing, it's a compilation of things, an ensemble, all-star cast of processes and problems, one might say. First, we have the building code, of which everyone has a hand in to one extent or another. Everything has to be handicapped accessible, down to the last inch. This is a major headache when remodeling an existing building, especially when that building is triangular...there are no accurate measurements of this building...none, so we are continually running into miss measured dimensions, which throw off the ADA code, which forces us to re-draw and re-figure. Then we have the fire code. This is pretty strict with a theater, as you can imagine. Everything has to be fire proof, and we narrowly escape having fire sprinklers. The health department doesn't even know what to do with us, which seems to be par for the course. We are a theater cafe, of which there are none in the vicinity to compare to, that only vends pre-cook items...what do you do with that? I don't know. Every morning Josh and I come to work and are notified of a new earth shattering problem, which we have to solve before lunch so that construction isn't delayed. Baring any other problems, it will still be a miracle if we get our certificate of occupancy.
Let's move on to materials, shall we? If you didn't know this already, Josh and I have been collecting materials, many for free and many for cheap, to cut the budget down. We are also doing a hefty portion of the construction as well. Juggling both is very difficult, not to mention all the paper work we have to fill out, but that will come later. Last week alone we made two trips to Denver and one trip to Boulder, loading and unloading two Penske trucks FULL of free and cheap items (chairs, trim, sound board) by ourselves, and still had to make time to pour concrete over the plumbing and tape and patch the walls in the cafe to get ready for plaster on Wednesday. I don't know if anyone knows this, but cast iron theater seats aren't light, and neither is concrete.
Now we can finally get to the paperwork. Josh and I have about 20 hours a week of paperwork to fill out. Tax forms, insurance applications, bills to pay, contracts to sign (still), and film distribution applications. The last of which is a pretty big deal. OK, lets go back in time 50 years, and that is the state in which film distribution is still in. We have to file an application with each distributor (Warner Bros, Universal, Dreamworks etc.), of which there are hundreds, so that we can exhibit there films which are still in 35mm format broken down into several pieces and are sent in big boxes via snail mail (no, I cannot rent a DVD or download it off the internet). Some are a one page application form, some are 30 pages, complete with credit check, funding info, your mothers maiden name and the sex of your roommates dog. And needless to say, these distribution companies aren't always the easiest people to get a hold of nor the most prompt.
You add all these things together (and I didn't even include everything) you have one full week. And if any ball is dropped, Josh will have to go back to Cozolla's and I will loose my house, wife, truck and dog...I don't really have a truck or a dog, but it sounded good.
End of informative blog entry, back to blathering nonsense.









